Alison moyet which group was she in

Her ninth studio album, Other, has just been released and she will tour from September. She is married, has three children and lives in Brighton. What is your earliest memory? Being about two and sitting in the yellow washing bucket that my mum used to hand-wash stuff in; it was also my paddling pool.

Which living person do you most admire, and why? My older sister, Jeanne. We fought when we were kids, but she is so entirely capable. What is the trait you most deplore in yourself?

My inability to communicate reliably. A television. When I moved, I downsized and threw away most of my possessions. A British pop singer known for her rich, remarkably bluesy voice, Alison Moyet sang in the short-lived, hit alternative dance group Yazoo before returning to the top of the U.

It included "Invisible," her only Top 40 hit in the U. She went on to become a steady presence on the U. Sticking with a primarily synth-driven adult pop for her first few albums, she eventually experimented with lusher arrangements, including strings on 's Hometime , and took on standards with 's Voice.

Released in , The Minutes marked a return to club-minded electronics while keeping her sound distinctly contemporary. In , Moyet 's ninth studio album, Other , was accompanied by her first extensive world tour in 30 years. They released two hit albums, Upstairs at Eric's and the U.

Clarke went on to form Erasure with Andy Bell , and in , Moyet began a solo career, releasing her debut album, Alf , the following year. Alf was a major success in Britain, hitting number one on the charts and launching the hit singles "Invisible," "All Cried Out," and "Love Resurrection"; it was a minor hit in the U. In , Moyet toured with a jazz band led by John Altman. Yaz--a collaboration between Moyet and Vince Clarke, now a member of Erasure--was distinguished from other synthesizer-based groups such as the Eurythmics, to whom they were often compared.

Moyet's rich, emotive vocal style proved that synth-pop can have soul. Yet with her booming, soulful voice, her no-nonsense approach to the music business, and her frank if sometimes enigmatic lyrics about love, sex, and friendship, Moyet stands out as an original presence in the recording industry.

She is also known for speaking her mind. Among other things, she has strong opinions about the role of women in popular music: "I like to cut out the him and hers in songs so both sexes can relate to it and I don't like the idea of songs portraying the female as submissive and always weak," she informed Colin Irwin in a Melody Maker interview.

An acclaimed pop star in Europe, in the United States Moyet has remained something of a dance-floor cult figure. Her United States audience is loyal, however, and when she toured the country after the release of her album Hoodoo, she played sold-out gigs, even though she had been off the club circuit for a number of years.

Moyet, who has expressed more interest in having her music taken seriously than in selling a lot of records, views her relative obscurity in the United States as an opportunity to move past the Yaz years. In she told Julie Romandetta of the Boston Herald, "I never sold masses of records in America, therefore I'm a relatively new and unknown artist.

Every piece of work I do is taken completely on its own merit, it doesn't come with a load of baggage. A thriving pub-rock scene in Moyet's hometown of Basildon, England, provided an outlet both for Moyet's love of music and her rebellious streak.

She began playing in bands when she was 15 and left school at 16, later returning to study music. She performed in an all-female trio, the Vandals, which was influenced by X-Ray Spex; work with later bands the Vicars and then the Screaming Abdads introduced Moyet to the rhythm and blues sound that has been a hallmark of her vocals ever since. In , tired of the pub-rock circuit and also fed up with feeling like an outsider as the female singer in all-male bands, Moyet placed a classified ad in Melody Maker, a British music magazine.

What she got instead was Vince Clarke. Clarke had just left the techno-pop band Depeche Mode, which he had cofounded, and wanted a female singer to provide the vocals for a ballad he had written, "Only You. In the United States, they were known as Yaz, for legal reasons.

Although their first album was wildly successful and brought Yaz an enthusiastic following, tensions between the duo were beginning to mount. By the following year, when Moyet and Clarke went into the studio to record their second album, You and Me Both, they no longer agreed on the sound they wanted. Social sign in Sign in Email address. Password Forgotten Password?

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